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The drawings

Ovid homepage
Learn about the remarkable Brotherton Collection copy of the works of Ovid, printed in Parma in 1477. Discover who owned the books, and who might have added the hundreds of marginal annotations and colourful illustrations.
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Shelf of Brotherton incunabula
Notes on incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds.
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The Brotherton Ovid
Notes on the unique aspects of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Condition and binding
Notes on the condition and binding of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Brotherton Ovid provenance
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. FInd out more about the provenance of the books.
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Dietrich von Plieningen
Dietrich von Plieningen was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Chancellor Leonhard von Eck
Leonhard von Eck was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Oswald von Eck
Oswald von Eck was a was a former owner of one of the items held at Special Collections at Leeds University, a three volume set of the works of Ovid printed in Parma in 1477. He added the numerous annotations and drawings that appear in the margins.
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Georg Kloss
Georg Franz Burkhard Kloss was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Bookplate of William Horatio Crawford
William Horatio Crawford was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Photograph of Lord Brotherton, 1926
Edward Allen Brotherton acquired one of the most remarkable items held at Special Collections in the Brotherton Library at the University of Leeds. This set of three incunabula (books printed in Europe before 1501) contains the works of the Roman poet Ovid. The books were printed by Stephanus Coralllus in Parma in 1477.
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Brotherton Ovid cutting with illustrations
People associated wtih the copy of the works of Ovid printed in Parma in 1477 and held at Special Collections at the University of Leeds.
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Sebastian Linck
Sebastian Linck is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Philipp Melanchthon
Philipp Melanchthon is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Samuel Leigh Sotheby funerary monument
Samuel Leigh Sotheby is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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J. Alexander Symington
J. Alexander Symington is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Ovid portrait from Nuremberg Chronicle
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. FInd out more about the Roman poet Ovid.
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Metamorphoses
Notes on the works of Ovid. Part of a digital resource on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Pyramus and Thisbe
Part of a digital resource on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Learn more about the reception of Ovid's works in the medieval and Renaissance periods.
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Brotherton Ovid annotations
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the printed text.
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Brotherton Ovid Heroides
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Heroides
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Drawing from Amores
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Amores
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Brotherton Ovid - Silenus and a satyr
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Art of Love and Cures for Love
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Brotherton Ovid drawings
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Fasti
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Brotherton Ovid drawings - Callisto and Arcas
Notes on the visual marginalia in three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the drawings that accompany the printed text.
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Brotherton Ovid man on horseback
Notes on the visual marginalia in three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. List of illustrations to the Fasti.
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Ovid Opera Volume 1. Detail from sixth front flyleaf verso
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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Ovid Opera Volume 1. Detail from aa2r
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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Ovid Opera Volume 1. Detail from A2r
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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The Fasti attracted the attention of visual artists during the Renaissance. Artworks inspired by it were not as numerous as those drawing on Metamorphoses, but the Fasti did provide part of the inspiration for Botticelli's Primavera, one of the most famous paintings of the Renaissance.

The painting is in part a response to Ovid's tale of the rape of the nymph Chloris by the wind god Zephyr and her subsequent transformation into Flora, goddess of Spring.

The mythological elements of the Fasti were most likely to be taken up by visual artists. Likewise, in our edition many of the illustrations accompany mythological stories.

The story (3.737-60) that inspired Piero di Cosimo's The Discovery of Honey by Bacchus also prompted our annotator to draw a depiction of this scene in the margin of sig. D4r.

The illustrations for the most part correspond very closely to the text. For example at sig.A5r where the illustrator has drawn an ancient coin showing Janus on one face and a ship on the other. This closely follows the description in the text.

There are occasional divergences from the text in the illustrations: at sig.B3v an illustration shows the nymph Callisto, transformed into a bear, almost being killed by her son. While Ovid's text says his weapon was a javelin or dart (iaculum), the illustration shows a bow and arrow.

Another illustration shows Lucius Junius Brutus, founder of the Roman Republic, kissing 'Mother Earth' in order to fulfil the oracle's prediction that: 'He who shall first have kissed his mother will be victorious'.

Ovid's description in the text of Brutus as 'wise, but pretending to be a fool' resonated with the annotator – fools and the wisdom of folly were very much an obsession of the arts of Northern Europe in his time.

He depicts Brutus in a contemporary fool's costume, with the characteristic cap and bells while the other figures in the drawing, Tarquin's sons, are also in contemporary dress. Similar examples of contemporary dress can be found throughout: see, for example, the illustration at sig.H3r, Tullia driving a chariot over her father Servius Tullius.

Dr Paul White