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Total number of records: 2

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glass2
painting2
porcelain2
gilding2
engraving2
art2
chemistry, technical2

Count of People and organisations

People and organisationsCount
Dossie, Robert (1777)2
Bedford, John Victor (1941-2019)2

Archive Print Item

The handmaid to the arts,... . Teaching, I. A perfect knowledge of the materia pictoria: or the nature, use, preparation, and composition, of all the various substances employed in Painting; as well vehicles, dryers, &c. as colours: including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by off-tracing, calking, reduction, or other means: with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, and Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold sizes, and other necessary compositions: -the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced: - and the method of Staining Different Kinds Of Substances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to profest artists; as to initiate those who are desirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayous, encaustic, enamel, varnish, distemper, and fresco; as also in gilding, &c (Vol 2)

Dossie, Robert (1777); Bedford, John Victor (1941-2019)

MDCCLXIV. [1764]

Anonymous. By Robert Dossie. In this second edition in vol. 1 the eighth line of the title reads: "materia pictoria: or the", the second line of imprint reads: "printed for J. Nourse, bookseller in ...

More details


Archive Print Item

The handmaid to the arts,... . Teaching, I. A perfect knowledge of the materia pictoria: or the nature, use, preparation, and composition, of all the various substances employed in Painting; as well vehicles, dryers, &c. as colours: including those peculiar to enamel and painting on glass. II. The means of delineation, or the several Devices employed for the more easily and accurately making Designs From Nature, or Depicted Representations; either by off-tracing, calking, reduction, or other means: with the methods of taking casts, or impressions, from figures, busis, medals, leaves, &c. III. The various manners of gilding, silvering, and Bronzing, with the preparation of the genuine Gold and Silver powders, and imitations of them, as also of the fat oil, gold sizes, and other necessary compositions: -the art of Japanning, as applicable not only to the former purposes, but to coaches, snuffboxes, &c. in the manner lately introduced: - and the method of Staining Different Kinds Of Substances, with all the several colours. The whole being calculated, as well for conveying a more accurate and extensive knowledge of the matters treated of to profest artists; as to initiate those who are desirous to attempt these arts, into the method of preparing and using all the colours, and other substances employed in painting in oil, miniature, crayous, encaustic, enamel, varnish, distemper, and fresco; as also in gilding, &c (Vol 1)

Dossie, Robert (1777); Bedford, John Victor (1941-2019)

MDCCLXIV. [1764]

Anonymous. By Robert Dossie. In this second edition in vol. 1 the eighth line of the title reads: "materia pictoria: or the", the second line of imprint reads: "printed for J. Nourse, bookseller in ...

More details