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Total number of records: 16
Count of Collection group
Top 10: Subject
Top 10: People and organisations
| People and organisations | Count |
|---|---|
| Francatelli, Charles Elme (1805-1876) | 3 |
| Stirling-Maxwell, Sir William (1818-1878) | 2 |
| Ellwanger, George H (1848-1906) | 2 |
| Beeton, Mrs (1836-1865) | 2 |
| Talbot, William Henry Fox (1800-1877) | 2 |
| Henneman, Nicholaas | 2 |
| Peter Harrington London | 1 |
| Nicholson, Michael C (1962-) | 1 |
| Marshall, William (1617-1650) | 1 |
| Lowin, John (1576-1659) | 1 |
Talbotype : illustrations to the Annals of the artists of Spain
Talbotype : illustrations to the Annals of the artists of Spain
Plain and artistic cookery: English, French, and Indian dishes
Heath's book of beauty : with beautifully finished engravings, from drawings of the first artists
Bio auto graphic
Textbook
The royal confectioner, English and foreign : a practical treatise on the art of confectionary in all its branches : comprising ornamental confectionary artistically developed
The royal English and foreign confectioner : a practical treatise on the art of confectionary in all its branches; comprising ornamental confectionary artistically developed
The royal English and foreign confectioner : a practical treatise on the art of confectionary in all its branches; comprising ornamental confectionary artistically developed
The pleasures of the table : an account of gastronomy from ancient days to present times. With a history of its literature, schools, and most distinguished artists; together with some special recipes, and views concerning the aesthetics of dinners and dinner-giving
The pleasures of the table : an account of gastronomy from ancient days to present times : with a history of its literature, schools, and most distinguished artists : together with some special recipes, and views concerning the aesthetics of dinners and dinner-giving
The school of arts; or fountain of knowledge : containing several hundred truly valuable and useful receipts, selected from the works and communications of the most eminent British artists. Particularly adapted for the use, emolument, and pleasure of the public in general and the encouragement of arts, manufactures, and science