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1 to 12 of 34 records

Total number of records: 34

Count of Collection group

Collection groupCount
Brotherton Collection34
Brotherton Collection Manuscript Verse34

Count of People and organisations

People and organisationsCount
Dryden, John34
Dryden2
Mr Dryden2
Mr Dryden; [Latin]1
Mr Dreyden1
J.S. (At End)1
Dryden [Latin]1

Title: On the conquest of Mexico

Author: Dryden, John

Date(s): 1664

Manuscript: Lt 15

Contents: Part of the prologue to Dryden and Howard's play "The Indian Queen", in which

the natives of Mexico realise that the Spanish conquest has brought their

idyllic paradisal life to an end

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Title: Alexander's feast

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 15

Contents: Extracts from Dryden's poem on Alexander the Great's feast after his victory

over Persia, demonstrating the power of music to sway emotions before the time

of St Cecilia

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Title: Virgil's first pastoral, or Tityrus and Meliboeus. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's first Pastoral, or Eclogue, in which the shepherd

Tityrus relates his good fortune in being able to remain on his native land as

a result of Maecenas's patronage.

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Title: Second pastoral, or Alexis. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's second Pastoral, or Eclogue, in which the shepherd

Corydon expresses his unrequited love for Alexis

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Title: Third pastoral, or Palaemon. Menalcas, Dametas, Palaemon. [The Argument

follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's third Pastoral, or Eclogue, in which Palaemon judges

that the shepherds Menalcas and Damaetas both deserve the prize after

listening to their singing contest

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Title: Fourth pastoral, or Pollio. [The Argument follows.]

Author: Dryden, John

Date(s): 1684 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's fourth Pastoral, or Eclogue, in which the poet

celebrates the birth of Salonius, son of the consul Pollio, as beginning a new

golden age of universal peace and plenty

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Title: Fifth pastoral, or Daphnis. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's fifth Pastoral, or Eclogue, in which the shepherds

Menalcas and Mopsus sing elegiac laments for the death of Daphnis, praising

and deifying him

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Title: Sixth pastoral, or Silenus. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's sixth Pastoral, or Eclogue, in which the satyr

Silenus sings of the creation of the world and subsequent events in classical

history and legend

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Title: The first book of Virgil's Georgics. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's "Georgics", I, a treatise on agriculture and

weather-lore, requesting assistance for his enterprise from the gods and

Augustus Caesar, praising and deifying him.

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Title: The second book of the Georgics. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's "Georgics", II, a treatise on agriculture,

particularly horticulture, tree-planting and soils, including praise of Italy

and of the quiet virtues of country life contrasted with court and town

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Title: The third book of the Georgics. [The Argument follows.]

Author: Dryden, John

Date(s): 1697 (published)

Manuscript: Lt 20

Contents: Translation of Virgil's "Georgics", III, largely a treatise on the breeding

and care of animals, particularly horses, cattle and sheep, including

descriptions of country life and praise of Augustus Caesar.

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Title: Prologue to The Prophetess [1690 May, Mr Dridens Prologue to The

Prophetesse. Verses Misc. Cupbd (?) (verso)].

Author: Dryden, John

Attribution: Mr Dryden

Date(s): 1690 (published)

Manuscript: Lt q 11

Contents: Dryden's prologue to the musical play "The Prophetess" by Thomas Betterton,

alluding critically to current affairs, especially the expense of William

III's Irish wars; with the men away, the theatre will depend on the support of

women.

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