Skip to main content

Poems: 'Above Ickornshaw, Black Huts', landscape

SA_Walking Home/1
In 2010 Simon Armitage spent 19 days walking the 256 mile Pennine Way as a 'modern troubadour'. This online resource presents archive material relating to the walk and creation of Walking Home, held by Special Collections.
More
Simon Armitage describes writing 'Walking Home'
More
SA_Walking Home archive materials
A summary of the Walking Home archive materials
More
Armitage Harmonium proposa
Details of book proposal 1
More
Armitage Walking Home Proposal doc
Details of book proposal 2
More
SA_Walking Home Red Notebook
introduction to the red notebook
More
Walking Home SA/8
prose diary entry for day 0
More
Walking Home SA/13
prose diary entry for day 1
More
SA_Walking Home/126
Prose diary entry for day 15
More
SA_Walking Away/162
red notebook poems introduction
More
SA_Walking Home/18
first draft of the poem 'Cotton Grass'
More
SA_Walking Home/31
second draft of the poem 'Cotton Grass'
More
SA_Walking Home first proof/287
second draft of the poem 'Cotton Grass' continued
More
SA_Walking Home_74
blank page entry headed 'fell ponies'
More
SA_Walking Home/130
Comparison of three types of writing referring to black huts.
More
SA_Walking Home/134
Notes on the changing imagery of 'Above Ickornshaw, Black Huts'
More
Armitage Notebook Black Huts
Notes on the importance of landscape for the poem
More
SA_Walking Home/108
Notes on the importance of poetic influences
More
Walking Home SA_162
writing themes listed at the back of the red notebook
More
SA_Walking Home/Glossop Audience
introduction to the Walking Home photograps
More
SA_Walking Home/slug088
Walking Home photographs as visual narrative
More
SA_Walking Home/digital_image/21
Walking Home: poetry as travel guide
More
writing themes listed at the back of the red notebook
More
Further reading material for Walking Home.
More

Given the landlocked location of Ickornshaw, West Yorkshire, some of the imagery of ‘Above Ickornshaw, Black Huts’ might seem strange. From the first draft, mention is made of the ‘moor’s sea’, and the huts are described as ‘lashed down’, later ‘braced for Atlantic gales.’ The presence of a ‘ship’s chain’ adds to this nautical tone.

One reason for this can be found in the huts’ likeness to beach huts or chalets, but another derives from the landscape itself. Ordnance Survey Map OL21 – used by Armitage on this section of the walk - shows that one area of moor between Ickornshaw and Ponden is called ‘The Sea’. But, again, the red notebook reveals that the sense of the moor as a sea is one Armitage has been considering even prior to this: ‘with the low, wet , shifty horizon, what the view most reminds you of is the sea’ (day 11).

The image of the huts on the moor is used by Armitage to determine both the language of the poem and its form. From the outset, the lines of the poem are short and stanzas are brief. In the final version they become tercets which are not quite uniform, and so convey the similarity and idiosyncrasies of the huts they describe. This likeness is made clear in a later notebook where Armitage has drawn different types of hut alongside each stanza.