Correspondents in the letters of Branwell Brontë: Leyland
The letters of Branwell Brontë
Branwell Brontë’s Life and Letters: 1842-1848
Artwork of Branwell Brontë’s letters: 'Resurgam'
Artwork of Branwell Brontë’s letters: 'Alas! poor Caunt!'
Artwork of Branwell Brontë’s letters: 'Our Lady of Grief'
Artwork of Branwell Brontë’s letters: 'Paradise and Purgatory'
Artwork of Branwell Brontë’s letters: 'Patrick Reid "turned off"' and 'The Rescue of the Punchbowl'
Correspondents in the letters of Branwell Brontë: Leyland
Correspondents in the letters of Branwell Brontë: Grundy and Brown
Letter 1: Letter from Branwell Brontë to Joseph Bentley Leyland, 15 May 1842 (BC MS 19c Brontë/02/01/01)
Letter 2: Letter from Branwell Brontë to Joseph Bentley Leyland, 29 June 1842 (BC MS 19c Brontë/02/01/02)
Letter 3: Letter from Branwell Brontë to Joseph Bentley Leyland, 12 July 1842 (BC MS 19c Brontë/02/01/03)
Letter 4: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 August 1842 (BC MS 19c Brontë/02/01/04)
Letter 5: Letter from Branwell Brontë to Joseph Bentley Leyland, 22 July 1843 (BC MS 19c Brontë/02/01/05)
Letter 6: Letter from Branwell Brontë to Joseph Bentley Leyland, 4 August 1845 (BC MS 19c Brontë/02/01/06)
Letter 7: Letter from Branwell Brontë to Joseph Bentley Leyland, 19 August 1845 (BC MS 19c Brontë/02/01/07)
Letter 8: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 September 1845 (BC MS 19c Brontë/02/01/08)
Letter 9: Letter from Branwell Brontë to Joseph Bentley Leyland, 25 November 1845 (BC MS 19c Brontë/02/01/09)
Letter 10: Letter from Branwell Brontë to Joseph Bentley Leyland, 28 April 1846 (BC MS 19c Brontë/02/01/10)
Letter 11: Letter from Branwell Brontë to Joseph Bentley Leyland, June 1846 (BC MS 19c Brontë/02/01/11)
Letter 12: Letter from Branwell Brontë to Joseph Bentley Leyland, c. June - July 1846 (BC MS 19c Brontë/02/01/12)
Letter 13: Letter from Branwell Brontë to Joseph Bentley Leyland, 2 July 1846 (BC MS 19c Brontë/02/01/13)
Letter 14: Letter from Branwell Brontë to Joseph Bentley Leyland, October 1846 (BC MS 19c Brontë/02/01/14)
Letter 15: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1847 (BC MS 19c Brontë/02/01/15)
Letter 16: Letter from Branwell Brontë to Joseph Bentley Leyland, c. January 1847 (BC MS 19c Brontë/02/01/16)
'Northangerland' pen and ink sketch (BC MS 19c Brontë/02/01/17)
Letter 18: Letter from Branwell Brontë to Joseph Bentley Leyland, 24 January 1847 (BC MS 19c Brontë/02/01/18)
Letter 19: Letter from Branwell Brontë to Joseph Bentley Leyland, 16 July 1847 (BC MS 19c Brontë/02/01/19)
Letter 20: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1848 (BC MS 19c Brontë/02/01/20)
Letter 21: Letter from Branwell Brontë to Joseph Bentley Leyland, January 1848 (BC MS 19c Brontë/02/01/21)
Letter 22: Letter from Branwell Brontë to an unknown correspondent, 22 May 1846 (BC MS 19c Brontë/02/01/22)
Letter 23: Letter from Branwell Brontë to Francis Henry Grundy, c. 1848 (BC MS 19c Brontë/02/01/23)
Letter 24: Letter from Branwell Brontë to John Brown, c. 1848 (BC MS 19c Brontë/02/01/24)
Bibliography and relevant literature
Letters 1-21: Joseph Bentley Leyland (1811–1851)
A sculptor from Halifax and an aspiring poet, Leyland was a good friend of Branwell Brontë. His brother was the Halifax antiquarian and publisher Francis A Leyland, who designed the seal for Halifax Corporation and the Coat of Arms of Halifax. He was also an early biographer of the Brontë family.
Leyland and Branwell were part of a group of young Yorkshire artists and writers who met at the George Hotel in Bradford and other local drinking-places to discuss and critique each other's work. The group included John Wilson Anderson the landscape painter, Skerrit the actor, and John Nicholson the Airedale poet. Leyland's medallion portrait of Branwell (1846, plaster) hangs at the parsonage at Haworth.
Leyland's life followed a similar path of destruction to that of Branwell and he died only three years after his friend. Constantly in debt, given to heavy drinking and subject to ill health, he had difficulties in completing commissions. Mary Leyland described him as 'self-opinionated, sarcastic, and unreliable, scornful of religion and of anyone who disagreed with him, only working when the spirit moved him.'
Leyland's works include:
• An effigy of Stephen Beckwith in York Minster.
• African Blood-Hounds: a painting of a large group of the titular dogs which Edwin Landseer described as 'the noblest modern work of its kind,' which was presented to Salford Museum after the sculptor's death and subsequently destroyed.