The design continues to evolve

Poetry and Audience

Exploring the evolving design of the pioneering Poetry and Audience magazine. An online exhibition from Special Collections at Leeds University Library.

Poetry and Audience 6th November, 1953. Editor: Ralph Maud. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

Hubert Dalwood's logo

Poetry and Audience 11th October 1957. Editor: James Simmons. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

The circle cover design

Poetry and Audience 6th October, 1961. Editor: Ben Sherriff. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

An experimental pamphlet cover

Poetry and Audience Pamphlets Number 2: Poems by John Quail. 1965/66/69. Editor: Roderick Wilson.. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

The design continues to evolve

Poetry and Audience 29th November, 1963 Editor: Jeffrey Wainwright. 1965/66/69. Editor: Roderick Wilson.. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

Stencilled lettering for volume 13

Poetry and Audience 15th October, 1965. Editor: Brian Oxley. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

Precision line work and impressionistic styles clash in volume 20

Poetry and Audience Volume 20 Issue 2. Editor: Brian Oxley. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

Mary Outram's illustration in volume 23

Poetry and Audience Volume 23 Issue 1. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

Andy Arnold’s satirical cover design for volume 26

Poetry and Audience Volume 26 Issue 1. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

The Grass’s Time by John Glover, Northern House

Northern House Pamphlet Poets: The Grass's Time

Poetry and Audience The Grass’s Time. One of a selection of cover pages from the magazine Poetry and Audience, part of the archives held in Special Collections at Leeds University Library.

This front cover from Volume 11 was published on 29th November 1963 and once again demonstrates the ever-changing design and style of the magazine.

Now made from coloured sugar paper, this cover features several intersecting lines, giving the effect of bricks, whilst drawing the eye to the centre of the page to focus on the volume, issue, year and the continuance of the magazine costing a penny.

The front cover also had several colours, chiefly red and brown. Despite being printed, issue numbers were hand drawn on the front, again indicating the increasing aesthetic awareness of the amateur editorial board.

Jeffrey Wainwright, who replaced John Meyrick after the first term as editor, recalled the chaos caused by the printing process:

'If they used too much ink, then the production would be messy but if they used too little it would make the text too faint.'

This admission may explain the fluctuating light and dark pages in some of the copies.

CLASSMARK: University of Leeds, A-0.01 POE

Jeffrey Wainwright