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Der Freie Tanz - The Free Dance

Laban detail from Titan floorplan
Rudolf Laban's life as told through archives in Leeds University Special Collections.
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Laban Der Freie Tanz
Laban moves to Ticino. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban and two women in a tree
Laban moves to Ticino. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Labankurse Zurich programme
Laban over winters in Zurich. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban exhibition - schools 1927
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban exhibition - floor plan for Titan
Laban's notation for 'Titan'. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban's Schriftanz
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban figure drawing from 1920s
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban Dornroschen programme
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban Berlin Olympics 1936
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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Laban Art of Movement Studio
Laban develops dancing schools in Germany. Part of an interactive resource at Leeds Special Collections about the life and career of Rudolf Laban.
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There are only a few documents recording Rudolf Laban’s activities in dance and movement from before 1910, when he was 31. However, we know that between 1907 and 1912 he lived in the bohemian quarter of Munich with his second wife Maria (also known as Maja) Lederer.

An undated brochure advertising his Studio for Dance and Theatre Art (see image) is the first sign that Laban had decided to focus on dance instead of fine art, which he had been studying.

Laban's Free Dance was “free” in the sense of being liberated from fixed rules and untethered from music.

The different meanings of the German word “freie” characterise Laban’s philosophy of movement. He believed that everyone should practise this free, freed, and freeing dance for their mental and physical health; an idea encapsulated in the first three words of the text:

“Tanz is Bewegungsfreude” – “Dance is the pleasure of movement”.

Dick McCaw

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