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Fasti

Ovid homepage
Learn about the remarkable Brotherton Collection copy of the works of Ovid, printed in Parma in 1477. Discover who owned the books, and who might have added the hundreds of marginal annotations and colourful illustrations.
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Shelf of Brotherton incunabula
Notes on incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds.
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The Brotherton Ovid
Notes on the unique aspects of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Condition and binding
Notes on the condition and binding of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Brotherton Ovid provenance
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. FInd out more about the provenance of the books.
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Dietrich von Plieningen
Dietrich von Plieningen was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Chancellor Leonhard von Eck
Leonhard von Eck was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Oswald von Eck
Oswald von Eck was a was a former owner of one of the items held at Special Collections at Leeds University, a three volume set of the works of Ovid printed in Parma in 1477. He added the numerous annotations and drawings that appear in the margins.
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Georg Kloss
Georg Franz Burkhard Kloss was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Bookplate of William Horatio Crawford
William Horatio Crawford was a former owner of three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Photograph of Lord Brotherton, 1926
Edward Allen Brotherton acquired one of the most remarkable items held at Special Collections in the Brotherton Library at the University of Leeds. This set of three incunabula (books printed in Europe before 1501) contains the works of the Roman poet Ovid. The books were printed by Stephanus Coralllus in Parma in 1477.
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Brotherton Ovid cutting with illustrations
People associated wtih the copy of the works of Ovid printed in Parma in 1477 and held at Special Collections at the University of Leeds.
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Sebastian Linck
Sebastian Linck is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Philipp Melanchthon
Philipp Melanchthon is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Samuel Leigh Sotheby funerary monument
Samuel Leigh Sotheby is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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J. Alexander Symington
J. Alexander Symington is associated with three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Ovid portrait from Nuremberg Chronicle
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. FInd out more about the Roman poet Ovid.
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Metamorphoses
Notes on the works of Ovid. Part of a digital resource on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477.
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Pyramus and Thisbe
Part of a digital resource on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Learn more about the reception of Ovid's works in the medieval and Renaissance periods.
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Brotherton Ovid annotations
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the printed text.
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Brotherton Ovid Heroides
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Heroides
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Drawing from Amores
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Amores
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Brotherton Ovid - Silenus and a satyr
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Art of Love and Cures for Love
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Brotherton Ovid drawings
Notes on three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the annotations that accompany the Fasti
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Brotherton Ovid drawings - Callisto and Arcas
Notes on the visual marginalia in three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. Discover more about the drawings that accompany the printed text.
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Brotherton Ovid man on horseback
Notes on the visual marginalia in three incunabula (books printed in Europe before 1501) kept in Special Collections in the Brotherton Library at the University of Leeds. The books contain the works of the Roman poet Ovid and were printed by Stephanus Coralllus in Parma in 1477. List of illustrations to the Fasti.
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Ovid Opera Volume 1. Detail from sixth front flyleaf verso
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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Ovid Opera Volume 1. Detail from aa2r
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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Ovid Opera Volume 1. Detail from A2r
View a high-resolution digitised version of the first volume of Ovid's Opera, held in Special Collections at Leeds University Library.
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The Fasti in volume 3 attracted the most numerous annotations and illustrations.

The annotations are signed by Oswald von Eck and derive from the lectures of Sebastian Linck, Professor of Rhetoric at the University of Ingolstadt.

The notes begin at the start of Lent in 1540 at Tegernsee and end in February 1541 in Ingolstadt. This does not suggest they have been made from a course of lectures. Instead it seems likely that they are copied out by Oswald from the lecture notes of his friend and teacher Linck, being supplemented by his own annotations.

Under the main heading "Annotations on Ovid's Fasti gathered by Oswald von Eck from the lectures of Master Sebastian Linck", Oswald has written out some general introductory remarks under a series of sub-headings: "Uses of the work", "Title of the work", "Summary of the whole work", "Arrangement of the books"; followed by further notes on the motion of celestial bodies and the measurement of time.

This is characteristic of introductions to lecture courses on classical texts and continuities in teaching practices through the centuries can be observed from the similarity of this introduction to prologues ("accessus ad auctores") in medieval manuscripts and even in ancient commentaries.

Under the heading "Uses of the Fasti", Oswald lists the reasons why the Fasti is considered a text worth studying:

(1) for the information it gives about the "rising and setting of stars", about the calendar, and about Roman customs. (2) for an understanding of myths, and natural and moral interpretations of them. (3) for its excellent "sententiae" (quotable phrases). (4) as a stylistic model for Latin.

A very similar list of reasons why the Fasti is worth reading can be found in Philipp Melanchthon's published notes on the work (Basel, 1548).

(1) for information about astronomy and the measurement of time; (2) for historical data; (3) for youths to learn good Latin; (4) for useful vocabulary; (5) for the commonplaces and rhetorical exempla.

The annotations are quite advanced, there are very few of the kinds of interlinear glosses concerned with basic comprehension of the language that usually feature in student annotations.

There are detailed summaries ('argumenta') at the start of each of the six books. The marginal notes largely follow the points of interest set out in the introduction.

As well as providing a commentary on Ovid's rhetorical structure and marking off dates to which the text refers, they give explanations and references relating to: astronomical detail; myth and history, geography and topography; ancient customs - marking points in the text that explain origins ("ratio", "origo", "causa"); and etymologies.

For the myths, the notes make frequent reference to the ancient author Pliny the Elder; the medieval Italian writer Boccaccio, who compiled an influential reference book of mythology; and to Ovid's own Metamorphoses.

For historical details, the references are mostly to the Roman historian Livy, and occasionally others. The antiquarian aspect, though, is certainly less pronounced here than in the printed commentaries on the Fasti that were available at the time, written by Italian humanists with an interest in Roman antiquarianism. The notes pick out poetic and rhetorical figures (e.g. 'apostrophe', 'metaphora', "prosopopoeia", "commendatio") and highlight passages of poetic description considered particularly good.

These excellent "sententiae" (moral sayings) are occasionally copied out in a more careful and elaborate hand e.g. 'what does shameless love not dare to do?' (3.331). Note also the ornate manicule (pointing hand) at sig. H5r highlighting the sententia: "Time slips away, and we grow old with the silent years, / And the days fly by with no bridle to slow them."

It may seem unusual that Oswald was using a 60 year old as his 'reading copy' but it is quite common to find incunabula annotated by much later readers, and sometimes covered with the notes of multiple generations of readers.

At one point, Oswald updates the text with reference to the newer, more reliable Aldine edition of 1516. He would also have found the Aldine edition useful for consulting Ptolemy's almanac Inerrantium stellarum significationes (translated by Nicolas Leonicus), along with a table of dates in the Roman calendar and corresponding passages in the Fasti.

Dr Paul White