Artwork of Branwell Brontë’s letters: 'Paradise and Purgatory'
The letters of Branwell Brontë
Branwell Brontë’s Life and Letters: 1842-1848
Artwork of Branwell Brontë’s letters: 'Resurgam'
Artwork of Branwell Brontë’s letters: 'Alas! poor Caunt!'
Artwork of Branwell Brontë’s letters: 'Our Lady of Grief'
Artwork of Branwell Brontë’s letters: 'Paradise and Purgatory'
Artwork of Branwell Brontë’s letters: 'Patrick Reid "turned off"' and 'The Rescue of the Punchbowl'
Correspondents in the letters of Branwell Brontë: Leyland
Correspondents in the letters of Branwell Brontë: Grundy and Brown
Letter 1: Letter from Branwell Brontë to Joseph Bentley Leyland, 15 May 1842 (BC MS 19c Brontë/02/01/01)
Letter 2: Letter from Branwell Brontë to Joseph Bentley Leyland, 29 June 1842 (BC MS 19c Brontë/02/01/02)
Letter 3: Letter from Branwell Brontë to Joseph Bentley Leyland, 12 July 1842 (BC MS 19c Brontë/02/01/03)
Letter 4: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 August 1842 (BC MS 19c Brontë/02/01/04)
Letter 5: Letter from Branwell Brontë to Joseph Bentley Leyland, 22 July 1843 (BC MS 19c Brontë/02/01/05)
Letter 6: Letter from Branwell Brontë to Joseph Bentley Leyland, 4 August 1845 (BC MS 19c Brontë/02/01/06)
Letter 7: Letter from Branwell Brontë to Joseph Bentley Leyland, 19 August 1845 (BC MS 19c Brontë/02/01/07)
Letter 8: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 September 1845 (BC MS 19c Brontë/02/01/08)
Letter 9: Letter from Branwell Brontë to Joseph Bentley Leyland, 25 November 1845 (BC MS 19c Brontë/02/01/09)
Letter 10: Letter from Branwell Brontë to Joseph Bentley Leyland, 28 April 1846 (BC MS 19c Brontë/02/01/10)
Letter 11: Letter from Branwell Brontë to Joseph Bentley Leyland, June 1846 (BC MS 19c Brontë/02/01/11)
Letter 12: Letter from Branwell Brontë to Joseph Bentley Leyland, c. June - July 1846 (BC MS 19c Brontë/02/01/12)
Letter 13: Letter from Branwell Brontë to Joseph Bentley Leyland, 2 July 1846 (BC MS 19c Brontë/02/01/13)
Letter 14: Letter from Branwell Brontë to Joseph Bentley Leyland, October 1846 (BC MS 19c Brontë/02/01/14)
Letter 15: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1847 (BC MS 19c Brontë/02/01/15)
Letter 16: Letter from Branwell Brontë to Joseph Bentley Leyland, c. January 1847 (BC MS 19c Brontë/02/01/16)
'Northangerland' pen and ink sketch (BC MS 19c Brontë/02/01/17)
Letter 18: Letter from Branwell Brontë to Joseph Bentley Leyland, 24 January 1847 (BC MS 19c Brontë/02/01/18)
Letter 19: Letter from Branwell Brontë to Joseph Bentley Leyland, 16 July 1847 (BC MS 19c Brontë/02/01/19)
Letter 20: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1848 (BC MS 19c Brontë/02/01/20)
Letter 21: Letter from Branwell Brontë to Joseph Bentley Leyland, January 1848 (BC MS 19c Brontë/02/01/21)
Letter 22: Letter from Branwell Brontë to an unknown correspondent, 22 May 1846 (BC MS 19c Brontë/02/01/22)
Letter 23: Letter from Branwell Brontë to Francis Henry Grundy, c. 1848 (BC MS 19c Brontë/02/01/23)
Letter 24: Letter from Branwell Brontë to John Brown, c. 1848 (BC MS 19c Brontë/02/01/24)
Bibliography and relevant literature
Following Branwell's dismissal from Thorp Green, Charlotte wrote 'We have had sad work with Branwell since –he thought of nothing but stunning [his] or drowning his distress of mind – no one in the house could have rest […].'
Two further letters written by Branwell depict the drunken actions of himself and his friends.
The drawing at the top of Letter 14, addressed to Leyland and dated October 1846 (BC MS 19c Brontë/02/01/14), is titled 'Paradise and Purgatory'. The sketch shows Branwell's friend John Brown in modes of drunkenness and sobriety.
In the first state entitled 'Paradise' Brown falls backwards on a chair, holding a full glass and knocking over a table. A speech bubble proclaims 'Damn you! I'm King and a Hauf!' In the state of 'Purgatory' however, Brown is depicted at work. Standing outside Haworth Church, next to a gravestone, and with his stonemason's tools in hand, he asks 'What ivver mun I do?'
Branwell looked up to the older Brown who was chosen to accompany him to Liverpool for a holiday following his break from Mrs Robinson. Charlotte wrote 'at last we have been obliged to send him from home for a week with some one to look after him.' This letter and these drawings however, suggest that Brown was also fond of drink.
Other sketches in this letter include a 'fallen' Branwell, a 'squeamish cat', and a 'man at the gallows'. Writing about his own 'constant and unavoidable depression of mind', Branwell asks 'Did a man ever laugh the morning he was to be hanged?'