Artwork of Branwell Brontë’s letters: 'Resurgam'
The letters of Branwell Brontë
Branwell Brontë’s Life and Letters: 1842-1848
Artwork of Branwell Brontë’s letters: 'Resurgam'
Artwork of Branwell Brontë’s letters: 'Alas! poor Caunt!'
Artwork of Branwell Brontë’s letters: 'Our Lady of Grief'
Artwork of Branwell Brontë’s letters: 'Paradise and Purgatory'
Artwork of Branwell Brontë’s letters: 'Patrick Reid "turned off"' and 'The Rescue of the Punchbowl'
Correspondents in the letters of Branwell Brontë: Leyland
Correspondents in the letters of Branwell Brontë: Grundy and Brown
Letter 1: Letter from Branwell Brontë to Joseph Bentley Leyland, 15 May 1842 (BC MS 19c Brontë/02/01/01)
Letter 2: Letter from Branwell Brontë to Joseph Bentley Leyland, 29 June 1842 (BC MS 19c Brontë/02/01/02)
Letter 3: Letter from Branwell Brontë to Joseph Bentley Leyland, 12 July 1842 (BC MS 19c Brontë/02/01/03)
Letter 4: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 August 1842 (BC MS 19c Brontë/02/01/04)
Letter 5: Letter from Branwell Brontë to Joseph Bentley Leyland, 22 July 1843 (BC MS 19c Brontë/02/01/05)
Letter 6: Letter from Branwell Brontë to Joseph Bentley Leyland, 4 August 1845 (BC MS 19c Brontë/02/01/06)
Letter 7: Letter from Branwell Brontë to Joseph Bentley Leyland, 19 August 1845 (BC MS 19c Brontë/02/01/07)
Letter 8: Letter from Branwell Brontë to Joseph Bentley Leyland, 10 September 1845 (BC MS 19c Brontë/02/01/08)
Letter 9: Letter from Branwell Brontë to Joseph Bentley Leyland, 25 November 1845 (BC MS 19c Brontë/02/01/09)
Letter 10: Letter from Branwell Brontë to Joseph Bentley Leyland, 28 April 1846 (BC MS 19c Brontë/02/01/10)
Letter 11: Letter from Branwell Brontë to Joseph Bentley Leyland, June 1846 (BC MS 19c Brontë/02/01/11)
Letter 12: Letter from Branwell Brontë to Joseph Bentley Leyland, c. June - July 1846 (BC MS 19c Brontë/02/01/12)
Letter 13: Letter from Branwell Brontë to Joseph Bentley Leyland, 2 July 1846 (BC MS 19c Brontë/02/01/13)
Letter 14: Letter from Branwell Brontë to Joseph Bentley Leyland, October 1846 (BC MS 19c Brontë/02/01/14)
Letter 15: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1847 (BC MS 19c Brontë/02/01/15)
Letter 16: Letter from Branwell Brontë to Joseph Bentley Leyland, c. January 1847 (BC MS 19c Brontë/02/01/16)
'Northangerland' pen and ink sketch (BC MS 19c Brontë/02/01/17)
Letter 18: Letter from Branwell Brontë to Joseph Bentley Leyland, 24 January 1847 (BC MS 19c Brontë/02/01/18)
Letter 19: Letter from Branwell Brontë to Joseph Bentley Leyland, 16 July 1847 (BC MS 19c Brontë/02/01/19)
Letter 20: Letter from Branwell Brontë to Joseph Bentley Leyland, c.1848 (BC MS 19c Brontë/02/01/20)
Letter 21: Letter from Branwell Brontë to Joseph Bentley Leyland, January 1848 (BC MS 19c Brontë/02/01/21)
Letter 22: Letter from Branwell Brontë to an unknown correspondent, 22 May 1846 (BC MS 19c Brontë/02/01/22)
Letter 23: Letter from Branwell Brontë to Francis Henry Grundy, c. 1848 (BC MS 19c Brontë/02/01/23)
Letter 24: Letter from Branwell Brontë to John Brown, c. 1848 (BC MS 19c Brontë/02/01/24)
Bibliography and relevant literature
Many of Branwell Brontë's letters include striking examples of his artwork.
The first drawing in the series titled 'Resurgam' is attached to Letter 1, addressed to Joseph Bentley Leyland and dated 15th May 1842 (BC MS 19c Brontë/02/01/01). The drawing is of a tombstone, headed by a skull and crossbones, with the single word 'Resurgam' (Latin: 'I shall rise again') written on it.
Earlier in May, Branwell's father Patrick had conducted a funeral for Thomas Andrew. Andrew, a family friend and the Haworth surgeon for over twenty years, had distinguished himself in the treatment of typhus. Branwell proposed Leyland should make Andrew's memorial and in this letter invites him to meet the headstone committee, whose 'gothic ignorance and ill-breeding' he apologises for in Letter 2 (BC MS 19c Brontë/02/01/02).
A stone tablet with the single word 'Resurgam', marks the grave of Rosamond Wellesley in Charlotte Brontë's Captain Henry Hastings (1839), written three years prior to the letter. Henry Hastings – based on Branwell – was a character from Charlotte and Branwell's imaginary world called 'Angria'. A similar headstone marks the grave of Helen Burns in Jane Eyre (1847) – 'but now a grey marble tablet marks the spot, inscribed with her name and the word "Resurgam".'
In The Art of the Brontës Christine Alexander suggests that one source for Branwell's drawing may have been the 'tail-pieces' engraved by Thomas Bewick in his History of British Birds – a book which also appears in Jane Eyre, and with which the Brontës were familiar.