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1.1 The significance of the First Folio: the plays

Preliminary page 17
Use this resource to explore the University of Leeds Brotherton Collection digital First Folio, to find out more about the significance of the book, and the history of this particular copy.
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Macbeth. I. i. 1 - I. ii. 62
The significance of the plays in Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 3
The significance of Shakespeare as a literary figure. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 15
The context of the first folio of Shakespeare's plays - the principal actors. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Portrait of Shakespeare (first folio)
The context of the first folio of Shakespeare's plays - Shakespeare's portrait. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 7
The context of the first folio of Shakespeare's plays - the readers. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 2
The condition of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Outside front cover
The condition of the binding of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Brotherton First Folio Box
The condition of the containing box of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Photograph of Lord Brotherton, 1926
Read about Lord Brotherton of Wakefield, who purchased Shakespeare's First Folio and donated it to the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Theodore Newton Vail, 1845-1920, bust portrait, facing left]
Read about Theodore Vail, a previous owner of Shakespeare's First Folio now owned by the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Read about the digitisation of Shakespeare's first folio undertaken by the University of Leeds Library. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 17
View a high-resolution digitised version of Shakespeare's First Folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Although about half of Shakespeare's plays had already appeared in individual publications, in a much cheaper and smaller format (known as quarto), the First Folio contains 18 plays that had never been printed before, some of them amongst the most famous in the canon.

Without the Folio, we would not have Macbeth or Julius Caesar, Antony and Cleopatra or Coriolanus; we would be missing Twelfth Night and As You Like It, Measure for Measure and The Comedy of Errors; we would be without The Winter's Tale and The Tempest.

We would never had heard of "Et tu, Brute", or "All the world's a stage", or "If music be the food of love, play on", or "O brave new world, that has such people in it!"

Some of the other plays, which had already been printed, appear in the Folio in versions significantly different from those in which they were first published.

The Folio text of Hamlet is missing 230 lines that are present in the previously printed versions, but has 70 lines which those versions lack.

King Lear has a series of cuts and rearrangements which strikingly alter the version printed fifteen years earlier.

Henry V, Romeo and Juliet, and The Taming of the Shrew all differ in various ways from the previously known editions.

These changes tell us that Shakespeare's text was never stable, but that the printed plays carry signs of adjustments that were made as soon they entered the theatre.

They even suggest that Shakespeare may have revised some of his plays, either to reshape them for publication, or to meet the changing demands of performance.

Professor Martin Butler

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