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2.3 The Brotherton First Folio: the box

Preliminary page 17
Use this resource to explore the University of Leeds Brotherton Collection digital First Folio, to find out more about the significance of the book, and the history of this particular copy.
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Macbeth. I. i. 1 - I. ii. 62
The significance of the plays in Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 3
The significance of Shakespeare as a literary figure. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 15
The context of the first folio of Shakespeare's plays - the principal actors. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Portrait of Shakespeare (first folio)
The context of the first folio of Shakespeare's plays - Shakespeare's portrait. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 7
The context of the first folio of Shakespeare's plays - the readers. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 2
The condition of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Outside front cover
The condition of the binding of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Brotherton First Folio Box
The condition of the containing box of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Photograph of Lord Brotherton, 1926
Read about Lord Brotherton of Wakefield, who purchased Shakespeare's First Folio and donated it to the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Theodore Newton Vail, 1845-1920, bust portrait, facing left]
Read about Theodore Vail, a previous owner of Shakespeare's First Folio now owned by the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Read about the digitisation of Shakespeare's first folio undertaken by the University of Leeds Library. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 17
View a high-resolution digitised version of Shakespeare's First Folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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The Brotherton First Folio is held in a red goatskin clamshell box, itself resembling a book, bearing a stamp reading BOUND BY ZAEHNSDORF, LONDON, ENGLAND' in gold on the turn in.

The box has two brass latches to secure it closed. It is decorated with blind fillet borders on the cover and spine and has a red velvet lining.

There are five raised bands on the spine 'SHAKESPEARE' is tooled in gold in the second pane, '1623' is in the third, and 'BROTHERTON COLLECTION' is in the fifth.

The box is not contemporary with the binding; despite the fact that when advertised for sale by Anderson Galleries New York in 1922, the Folio was described as being held in a velvet lined brown, levant morocco case, by Bedford.

The box matches those for the three other Folios in the Brotherton Collection, so we can assume that they were made for Brotherton's library in the early 1920s.

Manuscripts and books in the Brotherton Collection were frequently kept in boxes which resembled books, which would protect them, but also add consistency to the shelves of Brotherton's library.

The boxes reflect to the status of the collector as well as the contents and were produced by the prestigious workshop established by Joseph Zaehnsdorf (1814–1886).

Zaehnsdorf was an Austro-Hungarian who arrived in London in 1837 and established his own bookbinding firm in the 1840s. After his death the business was taken over by his son, Joseph William Zaehnsdorf (1853–1930).

Like Bedford's binding, Zaehnsdorf's work epitomised excellent craftsmanship and 'good taste': a pedigree, no doubt, that was not lost on Lord Brotherton.

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