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1.4 The First Folio in context: the portrait

Preliminary page 17
Use this resource to explore the University of Leeds Brotherton Collection digital First Folio, to find out more about the significance of the book, and the history of this particular copy.
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Macbeth. I. i. 1 - I. ii. 62
The significance of the plays in Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 3
The significance of Shakespeare as a literary figure. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 15
The context of the first folio of Shakespeare's plays - the principal actors. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Portrait of Shakespeare (first folio)
The context of the first folio of Shakespeare's plays - Shakespeare's portrait. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 7
The context of the first folio of Shakespeare's plays - the readers. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 2
The condition of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Outside front cover
The condition of the binding of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Brotherton First Folio Box
The condition of the containing box of the Library's copy of Shakespeare's first folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Photograph of Lord Brotherton, 1926
Read about Lord Brotherton of Wakefield, who purchased Shakespeare's First Folio and donated it to the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Theodore Newton Vail, 1845-1920, bust portrait, facing left]
Read about Theodore Vail, a previous owner of Shakespeare's First Folio now owned by the University of Leeds. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Read about the digitisation of Shakespeare's first folio undertaken by the University of Leeds Library. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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Preliminary page 17
View a high-resolution digitised version of Shakespeare's First Folio. Part of an online resource for exploring the first folio edition of Shakespeare's plays, held in the Brotherton Collection in Special Collections at the University of Leeds Library.
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The collection features a dedication to noble patrons and a brief sequence of poems by contemporary writers, but the title-page does not draw on any external sources of authority and after the introductory material there is no further mention of any such sources.

One effect of this relative freedom from external authorities is that the collection's authority derives almost entirely from its author.

This is highlighted by the positioning of the picture of Shakespeare on the title-page, not on a separate page. In other contemporary collections this space was occupied by invocations of sources of authority – such as symbols of and quotations from the Bible and classical writings – while the pictures of the author appear on separate pages.

In the earlier collections, authors and authorities remain subtly separate, while in Shakespeare's Folio the author is the authority.

Unusually, the picture of Shakespeare lacks elaboration and embellishment, which breaks with the conventions for such works established in recent times of placing the author in visual relation to his position and work.

This simplicity further emphasises the degree to which Shakespeare's Folio is able to rely more on its author, without situating him amongst complex associations.

Dr Jane Rickard

With kind permission of Manchester University Press

References

Meek, Richard, et al. 2008. Shakespeare's book: essays in reading, writing and reception.

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