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2.5 Italian medieval illuminated manuscripts

Brotherton Collection MS 18, fol. 7r
Explore digitised images of medieval manuscript illumination. Find out more about the significant provenances of the manuscripts, and how they came to the University of Leeds Library.
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[Evangelistarium]
Medieval manuscripts collected by the University Library in 1925, University of Leeds Special Collections
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Photograph of Lord Brotherton, 1926
Lord Brotherton's collecting of medieval manuscripts, held at the University fo Leeds Special Collections
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Jerome (fol. 2r)
Medieval illuminated manuscripts from the Ripon Cathedral collection, held at the University of Leeds Special Collections
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King David (fol. 21r)
French medieval illuminated manuscripts at the University of Leeds, Special Collections
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St. Luke, the Evangelist (fol. 14v)
French medieval illuminated manuscripts at the University of Leeds, Special Collections
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Corpus Christi (fol. 25r)
Southern Netherlands medieval illuminated manuscripts at the University of Leeds, Special Collections
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Coronation of the Virgin (fol. 17v)
Northern Netherlands medieval illuminated manuscripts at the University of Leeds, Special Collections
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Crucifixion of Christ (fol. 103r)
Italian medieval illuminated manuscripts at the University of Leeds, Special Collections
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Pan and other mythical creatures (fol. 97r)
German medieval illuminated manuscripts at the University of Leeds, Special Collections
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Burial service (fol. 7v)
English medieval illuminated manuscripts at the University of Leeds, Special Collections
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Seven Sorrows of the Virgin (fol. 142v)
Illuminated medieval manuscripts at the University of Leeds, Special Collections
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BC MS 1: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 1: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 2: [Breviarium ad Usum Parisiensem]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 2: [Breviarium ad Usum Parisiensem], held in Special Collections at Leeds University Library.
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BC MS 3: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 3: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 4: [Hours of Antoine de Crèvecœur]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 4: [Hours of Antoine de Crèvecœur], held in Special Collections at Leeds University Library.
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BC MS 5: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 5: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 6: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 6: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 7: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 7: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 8: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 8: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 9: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 9: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 10: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 10: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 11: [Preces]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 11: [Preces], held in Special Collections at Leeds University Library.
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BC MS 12: [Preces]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 12: [Preces], held in Special Collections at Leeds University Library.
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BC MS 14: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 14: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 15: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 15: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 16: [Beverley prayer book]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 16: [Beverley prayer book], held in Special Collections at Leeds University Library.
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BC MS 18: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 18: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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BC MS 22: [In epistolas canonicas]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 22: [In epistolas canonicas], held in Special Collections at Leeds University Library.
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BC MS 23: Legenda aurea sanctorum
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 23: Legenda aurea sanctorum, held in Special Collections at Leeds University Library.
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BC MS 24: [Psalterium]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 24: [Psalterium], held in Special Collections at Leeds University Library.
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BC MS 100: [Biblical and genealogical chronicle from Adam and Eve to Louis XI of France]
View a high-resolution digitised version of the illuminated medieval manuscript BC MS 100: [Biblical and genealogical chronicle from Adam and Eve to Louis XI of France], held in Special Collections at Leeds University Library.
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MS 124: [Evangelistarium]
View a high-resolution digitised version of the illuminated medieval manuscript MS 124: [Evangelistarium], held in Special Collections at Leeds University Library.
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MS 498: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript MS 498: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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Ripon Cathedral MS 1: [Biblia]
View a high-resolution digitised version of the illuminated medieval manuscript Ripon Cathedral MS 1: [Biblia], held in Special Collections at Leeds University Library.
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Ripon Cathedral MS 3: [Apocalypsis et Epistolae catholicae, cum glossis]
View a high-resolution digitised version of the illuminated medieval manuscript Ripon Cathedral MS 3: [Apocalypsis et Epistolae catholicae, cum glossis], held in Special Collections at Leeds University Library.
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Ripon Cathedral MS 4: [In Apocalypsim; Threni Ieremie cum glossis]
View a high-resolution digitised version of the illuminated medieval manuscript Ripon Cathedral MS 4: [In Apocalypsim; Threni Ieremie cum glossis], held in Special Collections at Leeds University Library.
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BC MS Frag. 1: Three single leaves from medieval liturgical manuscripts
View a high-resolution digitised version of the illuminated medieval manuscript BC MS Frag. 1: Three single leaves from medieval liturgical manuscripts, held in Special Collections at Leeds University Library.
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Ripon Cathedral MS 9: [Horae Beatae Mariae Virginis]
View a high-resolution digitised version of the illuminated medieval manuscript Ripon Cathedral MS 9: [Horae Beatae Mariae Virginis], held in Special Collections at Leeds University Library.
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The most beautiful Italian manuscript in Special Collections is a book of hours made for a nobleman of Siena, Niccolò Brogioni (BC MS 10). The provenance of this manuscript has not been published before.

We can identify the patron from his coat of arms on the frontispiece and by his given name, which is included in the personalised prayers at the end of the manuscript (the most worn and frequently handled pages).

Niccolò Brogioni came from Pistoia, a city under Florentine rule at the end of the 15th century. He married Antonia di Guicciardo Forteguerri in 1473, and the couple had two sons, Francesco and Deifebo. Niccolò and his family became citizens of Siena in 1480, soon after the papal reign of Pius II Piccolomini (1458-1464). In Siena the Brogioni family belonged to the order of Monte del Popolo.

The illuminator responsible for the miniatures and decorated initials, which have retained their remarkable original vibrancy, is an assistant and follower of the so-called Master of the della Rovere Missals (possibly Jacopo Ravaldi), an artist documented as working for the papal court in Rome (see the work of ).

The Brogioni Master appears to have been his assistant until about 1485, after which he continued to develop the style in his own commissions. In addition to the Brogioni Hours, this illuminator painted a book of hours for Giovanni Stefano Ferrero of Piedmont, bishop of Vercelli in 1493-1502, bishop of Bologna in 1502-1510, and cardinal in 1500.

In Crucification of Christ (fol. 103r), the strong plasticity of the Brogioni Master’s style is striking. The figures appear as if sculpted; Saint John resembles a 12th century column statue. Tall and thin, the vertical extension of his body is emphasised by the linear drapery of his tunic and cloak (see image). His arms are crossed on his chest close to his body, respecting the loi du cadre of Romanesque sculpture, and his face is angular as if of carved wood or stone, rather than flesh.

The same quality can be observed in the Virgin and Child of the frontispiece (fol. 13r). It is in the mournful face of the Virgin that the artist yields the full impact of his image. Framed within a veil of intense blue, the Virgin's large, upturned eyes and sharp, delicate features embody her sorrow for her crucified son.

Dr Katja Monier