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Prose: Day 1, Kirk Yetholm to Uswayford

SA_Walking Home/1
In 2010 Simon Armitage spent 19 days walking the 256 mile Pennine Way as a 'modern troubadour'. This online resource presents archive material relating to the walk and creation of Walking Home, held by Special Collections.
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Simon Armitage describes writing 'Walking Home'
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SA_Walking Home archive materials
A summary of the Walking Home archive materials
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Armitage Harmonium proposa
Details of book proposal 1
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Armitage Walking Home Proposal doc
Details of book proposal 2
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SA_Walking Home Red Notebook
introduction to the red notebook
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Walking Home SA/8
prose diary entry for day 0
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Walking Home SA/13
prose diary entry for day 1
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SA_Walking Home/126
Prose diary entry for day 15
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SA_Walking Away/162
red notebook poems introduction
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SA_Walking Home/18
first draft of the poem 'Cotton Grass'
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SA_Walking Home/31
second draft of the poem 'Cotton Grass'
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SA_Walking Home first proof/287
second draft of the poem 'Cotton Grass' continued
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SA_Walking Home_74
blank page entry headed 'fell ponies'
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SA_Walking Home/130
Comparison of three types of writing referring to black huts.
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SA_Walking Home/134
Notes on the changing imagery of 'Above Ickornshaw, Black Huts'
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Armitage Notebook Black Huts
Notes on the importance of landscape for the poem
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SA_Walking Home/108
Notes on the importance of poetic influences
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Walking Home SA_162
writing themes listed at the back of the red notebook
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SA_Walking Home/Glossop Audience
introduction to the Walking Home photograps
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SA_Walking Home/slug088
Walking Home photographs as visual narrative
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SA_Walking Home/digital_image/21
Walking Home: poetry as travel guide
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writing themes listed at the back of the red notebook
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Further reading material for Walking Home.
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By the end of the first walking day, the prose of the notebook has changed.  It has become more fractured than the previous entry and incorporates different styles of writing.

Fellow walkers have signed the notebook, with some adding their job titles. These brief entries show how varied relationships to the landscape can be. Land-managers, custodians, record-keepers, bird-watchers, and poets are included in this list. Their potentially differing perspectives show how land can be layered with many meanings.  

The events of the day are written out twice in this entry – a process that occurs in several other entries.

The entry begins with short paragraphs followed by a longer account of the day’s reading event. The date is then written again and short, choppy sentences gathered together in a single paragraph re-formulate the previous account with some additions and some deletions.
 
Why this duplication of information and change of form?

Earlier paragraphs may be transcriptions of recordings made whilst walking, while later stream-of-consciousness prose is a recollection from memory of the day’s events. Some of the more striking images occur in the writing that seems less structured. Armitage has said that while notes for prose writing can be spoken into a voice recorder, this is not a process he uses for his poetry.

The means of recording information here is very important: it varies according to the kind of writing intended (prose or poetry) and potentially influences the form and content of this writing.