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Poems: 'Above Ickornshaw, Black Huts', first draft

SA_Walking Home/1
In 2010 Simon Armitage spent 19 days walking the 256 mile Pennine Way as a 'modern troubadour'. This online resource presents archive material relating to the walk and creation of Walking Home, held by Special Collections.
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Simon Armitage describes writing 'Walking Home'
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SA_Walking Home archive materials
A summary of the Walking Home archive materials
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Armitage Harmonium proposa
Details of book proposal 1
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Armitage Walking Home Proposal doc
Details of book proposal 2
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SA_Walking Home Red Notebook
introduction to the red notebook
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Walking Home SA/8
prose diary entry for day 0
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Walking Home SA/13
prose diary entry for day 1
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SA_Walking Home/126
Prose diary entry for day 15
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SA_Walking Away/162
red notebook poems introduction
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SA_Walking Home/18
first draft of the poem 'Cotton Grass'
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SA_Walking Home/31
second draft of the poem 'Cotton Grass'
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SA_Walking Home first proof/287
second draft of the poem 'Cotton Grass' continued
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SA_Walking Home_74
blank page entry headed 'fell ponies'
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SA_Walking Home/130
Comparison of three types of writing referring to black huts.
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SA_Walking Home/134
Notes on the changing imagery of 'Above Ickornshaw, Black Huts'
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Armitage Notebook Black Huts
Notes on the importance of landscape for the poem
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SA_Walking Home/108
Notes on the importance of poetic influences
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Walking Home SA_162
writing themes listed at the back of the red notebook
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SA_Walking Home/Glossop Audience
introduction to the Walking Home photograps
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SA_Walking Home/slug088
Walking Home photographs as visual narrative
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SA_Walking Home/digital_image/21
Walking Home: poetry as travel guide
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writing themes listed at the back of the red notebook
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Further reading material for Walking Home.
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The first draft of ‘Above Ickornshaw, Black Huts’ appears on Day 16 of the notebook alongside two other mentions of the huts. Above the draft is a paragraph headed ‘Ickornshaw Grouse Shooting Huts’ which lists real and imagined features of the huts (‘Black, pitch, creosote, […] whisky, cigar, liquorice’), many of which will appear in the poem.

On the page facing the draft the huts are briefly mentioned in the walking journal for the day: ‘Up onto moor […] Black huts; can see the line of wind turbines above Howarth – slightly and conveniently forgetting the fact that after I get home I need to set off again, so some kind of slingshot past my own planet.’

The focus of the journal entry is the journey home, and the black huts, glimpsed fleetingly, seem unimportant. However, an earlier entry (from day 11) suggests the subject has been considered for a few days already: ‘Sinister grouse shooting huts […] like gun emplacements […]. Again, a shock that the moors are not wild but owned and managed and manipulated.’

The repeated appearance of these huts, their ambiguity and their position on the moors, form the imaginative catalyst for an uncanny and unnerving poem.