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Poetry as travel guide

SA_Walking Home/1
In 2010 Simon Armitage spent 19 days walking the 256 mile Pennine Way as a 'modern troubadour'. This online resource presents archive material relating to the walk and creation of Walking Home, held by Special Collections.
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Simon Armitage describes writing 'Walking Home'
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SA_Walking Home archive materials
A summary of the Walking Home archive materials
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Armitage Harmonium proposa
Details of book proposal 1
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Armitage Walking Home Proposal doc
Details of book proposal 2
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SA_Walking Home Red Notebook
introduction to the red notebook
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Walking Home SA/8
prose diary entry for day 0
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Walking Home SA/13
prose diary entry for day 1
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SA_Walking Home/126
Prose diary entry for day 15
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SA_Walking Away/162
red notebook poems introduction
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SA_Walking Home/18
first draft of the poem 'Cotton Grass'
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SA_Walking Home/31
second draft of the poem 'Cotton Grass'
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SA_Walking Home first proof/287
second draft of the poem 'Cotton Grass' continued
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SA_Walking Home_74
blank page entry headed 'fell ponies'
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SA_Walking Home/130
Comparison of three types of writing referring to black huts.
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SA_Walking Home/134
Notes on the changing imagery of 'Above Ickornshaw, Black Huts'
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Armitage Notebook Black Huts
Notes on the importance of landscape for the poem
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SA_Walking Home/108
Notes on the importance of poetic influences
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Walking Home SA_162
writing themes listed at the back of the red notebook
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SA_Walking Home/Glossop Audience
introduction to the Walking Home photograps
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SA_Walking Home/slug088
Walking Home photographs as visual narrative
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SA_Walking Home/digital_image/21
Walking Home: poetry as travel guide
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writing themes listed at the back of the red notebook
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Further reading material for Walking Home.
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What do different kinds of travel or landscape writing offer us?

Travel guides are instructive. Most suggest that there are correct and incorrect routes to destinations. Some incorporate GPS locations so you can identify where you are; most include maps to show you where to go, and many include photographs so that you know what your destination will look like.

If we look at Ickornshaw moor, Wainwright’s Pennine Way Companion (reprinted manuscripts which combine ‘authenticity’ with ‘authority’) simply notes the presence of ‘three small wooden chalets with brick chimneystacks.’ The Trailblazer Guide identifies these as ‘several shooting huts’ and explains nearby Cowling has ancient shooting rights.’

In contrast, poetry can offer a different kind of insight. Armitage’s ‘Above Ickornshaw, Black Huts’, peoples the huts, and gives them a mood and a tone which draws on their location, as well as the history and class differences of the region. The poem names a specific place but gestures towards social practices more broadly. In the final instance it is ambiguous however, rather than didactic.

The metaphorical language of poetry enables a comparison of the landscape with environments or scenes which might be unusual or conflicting. At the same time poetic form, rhyme, rhythm, metre, and pace can express how we interact with our surroundings. Pauses, end-stops, and unexpected stresses can cause us to stumble – alliteration, rhyme, and metre can convey speed or fluidity.