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Poems: 'Above Ickornshaw, Black Huts', influences

SA_Walking Home/1
In 2010 Simon Armitage spent 19 days walking the 256 mile Pennine Way as a 'modern troubadour'. This online resource presents archive material relating to the walk and creation of Walking Home, held by Special Collections.
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Simon Armitage describes writing 'Walking Home'
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SA_Walking Home archive materials
A summary of the Walking Home archive materials
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Armitage Harmonium proposa
Details of book proposal 1
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Armitage Walking Home Proposal doc
Details of book proposal 2
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SA_Walking Home Red Notebook
introduction to the red notebook
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Walking Home SA/8
prose diary entry for day 0
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Walking Home SA/13
prose diary entry for day 1
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SA_Walking Home/126
Prose diary entry for day 15
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SA_Walking Away/162
red notebook poems introduction
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SA_Walking Home/18
first draft of the poem 'Cotton Grass'
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SA_Walking Home/31
second draft of the poem 'Cotton Grass'
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SA_Walking Home first proof/287
second draft of the poem 'Cotton Grass' continued
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SA_Walking Home_74
blank page entry headed 'fell ponies'
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SA_Walking Home/130
Comparison of three types of writing referring to black huts.
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SA_Walking Home/134
Notes on the changing imagery of 'Above Ickornshaw, Black Huts'
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Armitage Notebook Black Huts
Notes on the importance of landscape for the poem
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SA_Walking Home/108
Notes on the importance of poetic influences
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Walking Home SA_162
writing themes listed at the back of the red notebook
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SA_Walking Home/Glossop Audience
introduction to the Walking Home photograps
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SA_Walking Home/slug088
Walking Home photographs as visual narrative
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SA_Walking Home/digital_image/21
Walking Home: poetry as travel guide
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writing themes listed at the back of the red notebook
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Further reading material for Walking Home.
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‘Above Ickornshaw, Black Huts’, clearly responds to specific features of the landscape, but the place in which it was written was also influential.

The first draft of the poem was written early on day 17 of the Pennine Way walk, in a terraced house on Aspinall Street, Mytholmroyd: the childhood home of Ted Hughes.

Armitage describes Hughes’ influence on him as a poet in his introduction to Hughes’ Selected Poems (2009): ‘Hughes, for me, was the man from over the top of the hill, from the next Yorkshire valley, and his poems made me want to read. Later it was homesickness that drew me back to his work, and by that time his poems were making me want to write. I think we shared a nostalgia for the same part of the world, even if that patch of the planet held a different significance for us.’

What is clear is that literary tradition influences not only Armitage’s representation of landscape in his poetry, but also his perception of landscape. Poets including Homer, Wordsworth, Hughes and the unknown writer of Gawain pervade the notes for Walking Home. The entry for day 13 reads: ‘Thistles beautifully in flower at the moment, both purple and white – can’t look or even think of them without the Hughes’ poem coming to mind.’