Early notes for ‘Once the siege…’
Simon Armitage – translating Gawain
Notes and drafts for Simon Armitage's translation of 'Sir Gawain and the Green Knight' show how his working practices evolved as he worked on the poem.
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Evolving drafts of 'Once the siege...'
Description of the evolving drafts in Simon Armitage's translation of Gawain
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First version of ‘Once the siege…’ in the Gawain notebook
Drafts for first section of Gawain from Gawain notebook, page one.
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Second version of ‘Once the siege…’ in the Gawain notebook
Drafts for first section of Gawain from Gawain notebook, pages two and three.
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Third version of ‘Once the siege…’ in the Gawain notebook
Drafts for first section of Gawain from Gawain notebook, pages four and five.
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Early drafts of ‘Once the siege…’
Description of first typed up draft of first stanza of 'Gawain'.
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First draft of ‘Once the siege…’
Description of first typescript draft of first stanza of Gawain
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Second draft of ‘Once the siege…’
Description of second typed up draft for first stanza in 'Gawain'
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'Now through England's realm...' in the Gawain notebook
Description notebook drafts for lines 691 - 739, Gawain.
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First version of 'Now through England's realm...' in the Gawain notebook
Second pages of drafts
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Second version of 'Now through England's realm...' in the Gawain notebook
Third page of drafts in Gawain notebook
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Third version of 'Now through England's realm...' in the Gawain notebook
Pages of drafts from Gawain notebook.
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Early notes for 'Now through England's realm...'
Typescript early notes for lines 691 - 739, Gawain.
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Second draft of 'Now through England's realm...'
Second typescript draft of lines 691 - 739, Gawain.
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Writing a poetic translation: defending the work
Notes on the introduction to Gawain, back of Gawain notebook.
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Writing a poetic translation: translating dialect
Notes on introduction to Gawain, back of Gawain notebook.
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Writing a poetic translation: pronunciation
Notes for introduction to Gawain, back of Gawain notebook.
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Drafting did not just happen within the Gawain notebook.
This page (a printout of the Middle English version and a literal rendering of the poem from the University Libraries of Toronto website), shows Armitage continuing to work on the poem, presumably when he did not have the notebook to hand.