Philander, The Golden Calf, 1749
Facets of Apuleius’ Golden Ass in the Brotherton Collection at Leeds
Apuleius, Opera, 1588
Philander, The Golden Calf, 1749
Voltaire, La Pucelle d'Orleans, 1762
William Adlington, Cupid and Psyche, 1903
Harold Edgeworth Butler, Cupid and Psyche, 1922
Boccaccio, 1511
Minturno, 1559
Thomas Shadwell, Psyche, 1675
Thomas Shadwell, Psyche, 1675 (2)
Jean de la Fontaine, Les Amours de Psyché et de Cupidon, 1814
Joseph Beaumont, Psyche, or love's mystery, 1702
Thomas D'Urfey, A new song in honour of the glorious assembly at Court on the Queens birthday
Mary Tighe, Psyche or The legend of love, 1812
Christoph Wieland, Fragments of Psyche, 1767
William Morris, The earthly paradise, 1868-70
A note by William Morris on his aims in founding the Kelmscott Press, 1898
William Morris collected by Alf Mattison
Robert Bridges, Eros and Psyche, 1885
Victor de Laprade, Psyché, 1857
Edward Carpenter, The story of Eros and Psyche, 1900
Walter Pater, Marius the Epicurean, 1885
Georges Jean-Aubry and Manuel de Falla, Psyché : poème, 1927
Pierre Louÿs, Psyché, 1927
The Metamorphoses as a whole was often seen to be imaginative and deliberately absurd. The title of this novel, Vitulus aureus, the Golden Calf, alludes to Apuleius’ Golden Ass, and the author’s name is a pseudonym. Philander claims to write a supplement to Apuleius’ novel and to make the inner workings of the mind visible to the naked eye, and open to inspection and comprehension. The story is somewhat bizarre. The narrator claims to have inspected the inside of the skulls of men killed in a tavern brawl, because he wanted to find out whether their acquisitiveness had any influence on the physical state of their brains. Their brains, it appears, had turned golden in reflection of their greed for gold. Apuleius’ novel does not only inspire the title, but also its first person narrative and incredible content. Apuleius’ novel, told in the first person, describes the transformation of a young man into a donkey, who hears stories of witchcraft where women kill their victims by tearing their heart out, replace it with a sponge and revive their victims temporarily, again with witchcraft. Both novels reveal human folly in humorous ways.
At the same time, the title Vitulus aureus, the Golden Calf, recalls the book of the same name by the Swiss alchemist Johann Friedrich Schweitzer (also known as Helvetius, 1630-1709), in which he describes how he himself had transformed lead into gold. As we know, this, too, is fiction.
Copyright University of Leeds