Christoph Wieland, Fragments of Psyche, 1767
Facets of Apuleius’ Golden Ass in the Brotherton Collection at Leeds
Apuleius, Opera, 1588
Philander, The Golden Calf, 1749
Voltaire, La Pucelle d'Orleans, 1762
William Adlington, Cupid and Psyche, 1903
Harold Edgeworth Butler, Cupid and Psyche, 1922
Boccaccio, 1511
Minturno, 1559
Thomas Shadwell, Psyche, 1675
Thomas Shadwell, Psyche, 1675 (2)
Jean de la Fontaine, Les Amours de Psyché et de Cupidon, 1814
Joseph Beaumont, Psyche, or love's mystery, 1702
Thomas D'Urfey, A new song in honour of the glorious assembly at Court on the Queens birthday
Mary Tighe, Psyche or The legend of love, 1812
Christoph Wieland, Fragments of Psyche, 1767
William Morris, The earthly paradise, 1868-70
A note by William Morris on his aims in founding the Kelmscott Press, 1898
William Morris collected by Alf Mattison
Robert Bridges, Eros and Psyche, 1885
Victor de Laprade, Psyché, 1857
Edward Carpenter, The story of Eros and Psyche, 1900
Walter Pater, Marius the Epicurean, 1885
Georges Jean-Aubry and Manuel de Falla, Psyché : poème, 1927
Pierre Louÿs, Psyché, 1927
Romantic readings of Cupid and Psyche were not limited to the English speaking environment. This poem is ‘fragments of Psyche’, an early, incomplete work by the German romantic poet, dramatist and novelist Christoph Martin Wieland (1733-1813). During the same period in which he drafted this incomplete poem, he also wrote the Bildungsroman (‘novel of development’) Geschichte des Agathon (The Story of Agathon, 1766-7), in which he describes his own personal development, but disguises this very thinly by setting the novel in the historical context of the 5th and 4th century BC. Fictional biographies continue to appear in the wake of engagement with Apuleius’ fiction.
This poetic fragment has a frame set in the same time period as Agathon: the story of Psyche is told to Aspasia, a romantic high priestess, by her Platonic lover Alkahest, a handsome young Zoroastrian magician, on a number of summer evenings. The story itself is coloured by its Platonist and philosophical context, and very freely adapted from Apuleius. For example, the goddess Isis, who plays a major role in the last book of Apuleius’ Golden Ass, is Psyche’s creator.
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