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Robert Bridges, Eros and Psyche, 1885

Adlington 1903c
Resource exploring aspects of The Golden Ass of Apuleius, through works from the Brotherton Collection in Leeds University Library, Special Collections.
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Resource exploring aspects of The Golden Ass of Apuleius, through works from the Brotherton Collection in Leeds University Library, Special Collections.
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Apuleius Opera 1588
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Philander 1749
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Voltaire 1762a
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Adlington 1903b
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Butler 1922
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Boccaccio 1511
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Minturno
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LockPsyche1
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Shadwell Psyche 1
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De la Fontaine, Les Amours de Psyche, 1814
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Beaumont, Psyche, 1702
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Urfey
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Mary Tighe, Psyche, 1812
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Christoph Wieland, Fragments of Psyche, 1
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William Morris, Earthly Paradise, 1
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William Morris, Zephyrus
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Mattison Morris 2
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Robert Bridges, Eros and Psyche, 1885
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Laprade, Psyche, 1
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Edward Carpenter, Eros and Psyche, 1900
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Walter Pater, Marius, 1
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Falla, Psyche, 1
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Louys, Psyche, 1
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Robert Seymour Bridges (1844-1930) was poet laureate from 1913 to his death. Originally a physician, he had to retire from his profession in 1882 because of ill health. He dedicated the rest of his life to poetry. As he was interested in the Classics, his work included masques on themes like Prometheus and Demeter, but he also composed sonnets and religious hymns.

His Eros and Psyche is a narrative poem, divided into twelve cantos, each representing a month of the year. Each canto has the number of stanzas of the relevant month’s days. Bridges adds a note to the end of the poem (p. 156-158) in which he claims that ‘the beautiful story is well known, and the version of Apuleius has been simply followed’ (156), even though he admits to some learned additions: 'the addition made to Homer’s description of Hera’s dress is an orientalism of the present writer'. He never, he says, read an English version of the story (i.e. not even Adlington’s widely available translation or Morris’ Earthly Paradise, which follows a comparable monthly structure). Many allusions to other ancient and more modern authors, e.g. the citation from Dante, Purgatorio canto XVI, make Bridges’ a learned, intertextual work.

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