A note by William Morris on his aims in founding the Kelmscott Press, 1898
Facets of Apuleius’ Golden Ass in the Brotherton Collection at Leeds
Apuleius, Opera, 1588
Philander, The Golden Calf, 1749
Voltaire, La Pucelle d'Orleans, 1762
William Adlington, Cupid and Psyche, 1903
Harold Edgeworth Butler, Cupid and Psyche, 1922
Boccaccio, 1511
Minturno, 1559
Thomas Shadwell, Psyche, 1675
Thomas Shadwell, Psyche, 1675 (2)
Jean de la Fontaine, Les Amours de Psyché et de Cupidon, 1814
Joseph Beaumont, Psyche, or love's mystery, 1702
Thomas D'Urfey, A new song in honour of the glorious assembly at Court on the Queens birthday
Mary Tighe, Psyche or The legend of love, 1812
Christoph Wieland, Fragments of Psyche, 1767
William Morris, The earthly paradise, 1868-70
A note by William Morris on his aims in founding the Kelmscott Press, 1898
William Morris collected by Alf Mattison
Robert Bridges, Eros and Psyche, 1885
Victor de Laprade, Psyché, 1857
Edward Carpenter, The story of Eros and Psyche, 1900
Walter Pater, Marius the Epicurean, 1885
Georges Jean-Aubry and Manuel de Falla, Psyché : poème, 1927
Pierre Louÿs, Psyché, 1927
This little book (1898) by William Morris is the last book printed at his Kelmscott Press, one of the most important art presses of the 19C the Brotherton has one of only 537 copies. It describes Morris’ plan for his publication of The Earthly Paradise, which he started to work on as early as 1866 (p. 7). Wood engravings for the story were commissioned, but not used in the end for Earthly Paradise. The image of Psyche carried by Zephyrus, featured prominently in this account of the Kelmscott Press, is one of the designs for the story of Cupid and Psyche and others that were already finished, designed by Morris’ friend and associate Edward Burne-Jones (1833-1898), forty-four were engraved on wood in line, “somewhat in the manner of the early German masters”. About thirty-five were executed by William Morris, the rest by others.
Copyright University of Leeds